Good afternoon, and thank you for standing by, and welcome to the Eventbrite fourth quarter 2021 earnings conference call. At this time, all participants are in a listen-only mode. After the speaker's presentation, there will be a question-and-answer session. If you would like to ask a question today, please press star followed by one on your telephone. Please be advised that today's conference is being recorded. I would now like to pass the conference over to Ms. Katherine Chen, Head of Investor Relations. Katherine, please go ahead. Good afternoon, and welcome to Eventbrite's fourth quarter and fiscal year 2021 earnings call. Prior to this call, we released our shareholder letter announcing our financial results, which can be found on our website at investors.eventbrite.com. Before we begin, I would like to remind you that during today's call we will be making forward-looking statements regarding future events and financial performance. We caution that such statements reflect our best judgment as of today, February 10, based on factors that are currently known to us, and that actual future events or results could differ materially due to several factors, many of which are beyond our control. For a more detailed discussion of the risks and uncertainties affecting our future results, we refer you to the section titled Forward-Looking Statements in our shareholder letter and our filings with the SEC. We undertake no obligation to update any forward-looking statements made during the call to reflect events or circumstances after today or to reflect new information or the occurrence of unanticipated events, except as required by law. During this call, we will present adjusted EBITDA and adjusted EBITDA margin non-GAAP financial measures. These non-GAAP financial measures are not prepared in accordance with generally accepted accounting principles and have limitations as an analytical tool. You should not consider them in isolation or as a substitute for analysis of our results of operations as reported under GAAP. A reconciliation to the most directly comparable GAAP financial measure is available in our shareholder letter. We encourage you to read our shareholder letter as it contains important information about GAAP and non-GAAP results. With that, I'll now turn the call over to Julia Hartz, Co-founder and Chief Executive Officer. Thank you, Katherine. Hello, everyone, and thank you for joining us this afternoon. I hope you and your families are staying safe and healthy as we start a new year. We are excited to share our fourth quarter results today and tell you about what we have planned for 2022. The strength of our platform and our strategy were on full display in the fourth quarter, and first, I want to congratulate our team on their incredible performance. We more than doubled revenue year-over-year and grew sequentially for the sixth consecutive quarter. We transacted over 22 million paid tickets and nearly 50 million free tickets for our creators. It's been truly inspiring to see how our passionate creators have persisted and how we can help them be even more successful. As we move past the recent variants, business conditions are improving and we're well positioned to help creators capture the growing demand for live events. I'm proud that we have fully reoriented our company around a product-led strategy that allows us to scale and grow alongside our most valuable customers. In 2021, we made exciting progress on our strategy as we supported our creators and the resurgence of live events around the world. Over 650,000 creators used Eventbrite to produce more than 5 million events during the year, setting an all-time record for events on the platform. We enabled creators to transact over 290 million tickets and reach an audience of over 83 million unique buyers. While supporting the surge in activity, we also launched new tools and functionality for frequent creators and opened a critical new growth avenue with our Boost marketing product. We achieved positive adjusted EBITDA for the full year, propelled by a 77% increase in revenue and a significant step up in growth margins and operating leverage. All of this reflects strong and consistent execution by our team. When we strategically refocused on accelerating our self-service platform development and serving frequent creators, we also set a roadmap for sustainable long-term growth. We've prioritized meeting the needs of frequent creators, our most valuable creators who typically have small, agile teams and large, loyal audiences. These creators need intuitive ticketing and powerful marketing tools so they can maximize their time spent on creating captivating events that really showcase their passions and skills. The changes we've made to our platform have helped us successfully attract and retain frequent creators. Of all the paid tickets in the fourth quarter, frequent creators sold 67% of them, and their paid tickets doubled compared to the same period a year ago. Now, entrepreneurial creators like the Green-Wood Historic Fund are helping drive that growah. Green-Wood is redefining what a cemetery can be as a destination by hosting popular walking tours, workshops, and concerts to the tune of nearly 500 events in 2021. That's an astonishing 39 events per month, which helped them triple their ticket sales growth in the year. We're proud to have helped Green-Wood grow and preserve one of Brooklyn's first green spaces. Just like the example of Green-Wood, we're seeing signals that our platform is helping creators grow their businesses. In the fourth quarter, creators of paid events hosted just over 3 events on average, a nearly 20% increase in average event frequency since the fourth quarter of 2019. Similarly, the average number of paid tickets transacted per event rose for the sixth quarter in a row, climbing 20% over the third quarter. Whether creators are adding events in response to strong demand or creating new events that attract new audiences, we're giving them the confidence and helping them succeed. The accelerating strength of our platform is propelled by a product-led strategy that leverages everything about our scale, from our data, to our creator community, to our investment resources. More than half of our teammates work in development, including engineering, product design, and data science. That's a material shift since the start of 2020 when this team was roughly just one-third of our workforce. Investments that we've made in our technical infrastructure and core engineering are enabling greater product velocity. This translated into more than 40 product launches and meaningful enhancements to existing products in 2021, setting a new benchmark for future performance. We're working on further enhancing areas like navigation, checkout, and payment that will create an even better power user experience in 2022. I'm also excited to announce that we're establishing a talent hub in India. There is incredible talent in the city and region we've selected, and I cannot wait to welcome our new members to the team in the coming months. To summarize in 2021, our strategic focus on frequent creators is generating excellent returns. Looking to 2022 and beyond, we see many more opportunities for scalable product-led growth for the business. Our ability to seamlessly combine ticketing, multi-event management, and marketing into one self-service platform helps creators manage their businesses and more confidently plan and track their investments. This is critical since many of our frequent creators are small business owners or solo entrepreneurs, and their precious time is best spent on creating the content for memorable live experiences. The Eventbrite Boost product is helping to simplify social advertising and lift ticket volume for busy creators. Usage of Boost is growing strongly month-over-month, and subscribers have tripled since June. Leveraging our scale and data, we plan to introduce additional Boost features in 2022 to help creators better acquire, engage, and retain attendees. Importantly, our expansion in the direction of marketing is relevant not only to creators of paid events but also to the very large and valuable community of free event creators who rely on our core ticketing capabilities. In fact, since we launched an upgrade to Boost's email marketing capabilities, more than 20% of new subscribers have been creators of free events. This is just one example where our strategy and our marketing tools roadmap will expand our opportunity to serve creator needs. Another opportunity we'll begin to address in 2022 is demand generation for creators. Eventbrite-driven tickets made up 24% of total free and paid ticket volume for 2021, and we see many opportunities to become an even stronger demand generation partner by putting the right event in front of the right audience at just the right time. Eventbrite is still in the early stages of our long-term strategy, and we're more encouraged than ever to achieve the full impact of our plan. Our improved financial results prove that we can operate effectively in any environment while supporting our creators and remaining focused on our goal to make the best live events platform for their needs. Our team is excited and motivated to roll out innovative new products and engage with our reconvening community as we help creators power live events in 2022. On behalf of the entire Eventbrite team, we thank our creators, our employees, and our shareholders for their unwavering support as we enter the next exciting phase of our journey. We look forward to updating you on our progress in the coming year. With that, I'll now turn the call over to Lanny. Thank you, Julia. Our fourth quarter and full year results demonstrate not only the merits of our strategy, but also the strength of our execution in a very demanding environment for the live events industry. Fourth quarter revenue of $59.6 million was up 124% year-over-year and 12% sequentially. Gross margin was 66%, a new quarterly record, up 15 points year-over-year, and 7 points higher than we achieved even on our highest quarterly revenue prior to the pandemic. Adjusted EBITDA was $4 million for the quarter, a 7% adjusted EBITDA margin. Excluding the impact of non-routine COVID-related items in the prior year, fourth quarter adjusted EBITDA improved by $12 million year-over-year on a $33 million increase in revenue, which represents a 36% flow-through of incremental revenue to the adjusted EBITDA line. As of year-end, our balance sheet shows $634 million in cash and cash equivalent, with Eventbrite's net liquidity at $368 million, compared to $332 million at the beginning of 2021. Our performance across 2021 is a great testament to both our external opportunity as well as our internal performance. The progress we've achieved places Eventbrite in an exceptional position to pursue the rest of our strategy, which means going beyond the leading self-service ticketing platform to become a ticketing sales engine for frequent creators and their amazing live content. Having reset our strategy and our business model in 2020, Eventbrite is today a different company than we were just a couple of years ago. We want to ensure that we continue to provide the most clear and relevant data that helps the financial community understand our performance. Accordingly, I would like to call attention to the supplemental slides we posted to our IR website today alongside our shareholder letter. I don't think it's lost on anyone that the engine of our growth and the core of our revenue model is an exact match to our creators' business model. How many events, how many tickets, and how much revenue per attendee? Surrounding that central equation of creator economics, the Eventbrite business model has two additional gears. How many creators do we serve, and how much do we earn in exchange for the value we bring to our creators' operations and success? Creators, events, tickets, ticket prices, and take rate. That's our formula. With that in mind, we're providing additional metrics today around paid creators, paid events, and gross transaction value, not just for the current quarter, but also for all quarters back to the start of 2020 when we adopted the frequent creator focus, product led strategy, and self-service operating model we have today. We plan to provide these disclosures consistently going forward and encourage you to reference the slides as we discuss our results. Our starting point is attracting and retaining creators, particularly frequent creators. In the fourth quarter of 2021, 141,000 creators transacted paid tickets on our platform, a 61% increase versus a year ago, and 7% more than in the third quarter. The ubiquity of our platform and the return of in-person events fueled healthy creator acquisition across 2021. Innovations in our products have corresponded with improved frequent creator retention. We are pleased to see the strong recovery of creators since the onset of the pandemic. Our paid creators dropped to 55,000 in the second quarter of 2020, and we're optimistic about growth in our creator community going forward. For context, our prior quarterly peak in paid creators was just over 200,000. As global health conditions improve and we make progress against our strategy, we expect to reach new heights in coming years. As you will also see in the new metrics table, there were 458,000 paid events transacting on our platform in the fourth quarter of 2021, up from 365,000 in the final quarter of 2020. Compared with the third quarter, we saw a modest decline in transacting events even as our creator count continued to grow. We believe this reflects a natural adjustment by creators to reduce event frequency in response to near-term consumer behavior and demand. One way to gauge that attendee sentiment in the fourth quarter is to look at paid ticket volume for Halloween events, where we set an all-time record by a considerable margin versus New Year's Eve events, where paid tickets were well below what we normally would have expected. As the Omicron variant spread across our key markets in the fourth quarter, we saw paid ticket volumes soften after October into November and December and early January. This trend was more pronounced than our typical seasonal pattern and seemed to correlate with COVID infection trends as we've seen in prior periods. It's important to note, however, that the impact of the most recent COVID wave was shorter and less severe, and we maintained a higher baseline than in earlier cycles. Over a slightly longer term perspective, we've seen paid events per creator increased by about 35% over 2019 levels, as our strategy has focused on serving the needs of frequent creators and helping them grow their businesses. Another important dimension of creator success is paid tickets per event, which rose 60% year over year and 20% sequentially in the fourth quarter. All of that means paid tickets doubled year over year in the fourth quarter, reaching a new pandemic era quarterly high of 22.1 million paid tickets. Finally, revenue per paid ticket was $2.70 in the fourth quarter, 11% higher than in the same quarter of 2020, primarily due to an increase in average ticket value with an additional increment from a slightly higher take rate, which reflects our strategic emphasis on higher value frequent creators. Looking forward, particularly over the longer term and across periods greater than just a single quarter, we will continue to execute against the financial gears we've just described. Attracting and retaining creators via a product strategy aimed at providing ticketing ease and confidence, especially for frequent creators. Supporting audience growth and greater event frequency with marketing products specifically built for event creators that leverage our scale and our live event data. Increasing the value we deliver and the take rate we can earn by addressing more of creators' needs. For instance, with high-value services such as demand generation. We will operate with a self-service mindset that answers creators' desire for efficiency and which fortifies our own profitability, providing the flexibility and the resources to continue to invest in our platform. Our objective is to make steady gains across each of these levers over time with the view that even modest progress made consistently on each lever can compound to drive very strong and sustainable long-term revenue growth and significant margin improvement for our business. Before I conclude, I want to discuss the business outlook provided in our shareholder letter today. Based on our current outlook, we anticipate that first quarter 2022 revenue will be within a range of $47 million-$50 million, which would represent 74% year-over-year growth at the midpoint of the range. After a slow start to the year, paid ticket volume has improved significantly since early January, and trends have outpaced our typical seasonality as new COVID cases in our major markets have begun to recede. Looking beyond the first quarter, we anticipate that paid ticket trends may continue to be variable in relation to rising or falling concerns about COVID. However, there appear to be many reasons to be encouraged, and we have strong conviction about the resilience of our creators and the long-term growth of the live events industry. Over the past two years, we have demonstrated an ability to operate effectively in just about any kind of environment. As we look forward today, we gather further confidence from our strategy and financial strength. With that, I'll turn the call over to the operator for the question-and-answer portion of the call. Thank you, Lanny. We will now begin the Q&A session. If you would like to ask a question, please press star followed by one on your telephone keypad. If you would like to remove that question, please press star followed by two. As a reminder, if you are using a speakerphone, please remember to pick up your handset before asking your question. Our first question is from Ryan Sundby of William Blair. Ryan, your line is connected. Please proceed. Yeah. Hey, guys. Good afternoon. Thanks for taking my question and thanks for the extra disclosure there. It'd be fun to take a look at that. Lanny, maybe we can just start. There was a lot there I think you went through, but circle back to the comments from the script there. Within the quarter, it's not like growth slowed as I think we all would have expected as Omicron, you know, emerged. Is there a way to help us think about the magnitude of the slowdown you saw either, you know, month by month or peak to trough? And then, you know, can you roll that forward into the first quarter guidance? As we look at that 20% or so sequential decline, what are you baking in there? You know, again, it's not like you've already seen some recovery, but how quickly do we think about or total recovery from there? Sure. Thanks, Ryan. Yeah, I think the improved disclosure or expanded disclosure really is designed to help folks understand the gears that drive the business that we're pushing with all the product work and that really will, I think, compound over the coming years. Let's focus in just on the short term, like you asked about. I would say the fourth quarter. October was a great month. As we said, Halloween was well above anything we've ever seen before, kind of record levels, and that was sort of reflective of the strength in October. Then you had the health situation externally change pretty dramatically and pretty quickly, as we all know, so that. You know, normally we would be down from October to November in the teens, maybe we're at the high teens, sort of October to November in terms of the seasonal decline. December, we were also, you know, maybe 5-10 points steeper decline from November to December than normal. What that meant for the quarter overall was that, you know, October was really strong, end of the quarter a little bit weaker. The overall quarter was fairly consistent with our expectations. Remember, we said, hey, we thought revenue would be up for the quarter, paid tickets would be up sequentially for the quarter, and they're up pretty nicely. That seasonal or that sort of COVID-related seasonality that we saw also meant that we ended the year and went into early January, you know, pretty far below where we normally would expect to be. January started below December. Normally, January starts out kind of even with December, as the COVID environment was still really clearly weighing on ticket purchasing activity. By the time we got to the later weeks of January, that started to change, and things have really accelerated. As we've said now for really, I guess, like a year and a half, maybe two years, it's not that difficult to figure out that when the COVID environment looks more threatening, consumer purchase activity for live events tends to soften. When that environment starts to feel a little bit safer and move behind us, people get really excited about getting back together and going out to live events, and that's exactly what we're seeing right now. That's what feeds into our outlook for the first quarter. We would expect to end the quarter stronger than the start. As we've said, things can be variable based on external environment. Got it. That's really helpful. I guess I've always thought that kind of Q1 is setting up the year. It's traders start to plan out the year and impact to beyond kind of the current wave in terms of, you know, delayed scheduling and delayed planning. Do you see a carry-on impact from this? Or as cases come down, do you think you kind of bounce back to where you would have been? Well, you know, I think that we are learning about some new seasonalities in our business and just kind of in the world. It's hard to peg that. You know, in the past, you're right that our pre-COVID revenues tended to be pretty evenly split across the 4 quarters of the year. Clearly, as you look at the numbers that we had across the course of 2021 and even 2020, as the COVID environment cleared, our year was really back-end loaded as we accelerated off a low base. It's hard to parse through, but I don't think. You know, from where we are today, I You know, the first part of this year was a very different health dynamic than we're seeing right now. You're seeing states lifting mask mandates, you're seeing people be more comfortable traveling, more of the population is vaccinated. I think all those things will, are likely to add up to a seasonal pattern that isn't the old, typical pattern, but we'll see. Okay. Maybe just flipping over to Boost. I mean, sounds like a lot has progressed there in the last nine months, but you know, you're still rolling out new enhancements here in the first quarter. Is there a way to help us understand maybe like what iteration you're on with Boost and how close are you to kind of what you envision that final product to being, 'cause is it close now or is there a lot of evolution to come? Sure. I can speak to that, Ryan. You know, when we look at what Boost is and what it can become, it's really we're in the very early days of really building a destination within the product experience that allows for our creators to be able to be just way better, more efficient marketers of their events and to build, start building stickier relationships with their attendees. We launched this product back in May after acquiring ToneDen in the fall of 2020, and we've been really pleased with the power of the Eventbrite data plus ToneDen's automated marketing capabilities and what that has offered since we first launched. Subscribers have tripled since June, and in fact, we've had over 20,000 events marketed through Boost since we released our initial iteration of this. We've been on continuous deployment with Boost, so we're rapidly iterating and testing, and we're also expanding the surface area of Boost. Just in this quarter, we actually have expanded into email marketing and helped our Boost subscribers be able to send more email campaigns at a lower price and a higher conversion rate, and they get all of that plus the social paid advertising in one, you know, marketing hub. We'll continue to focus on the things that our creators, particularly frequent creators, have asked us to do to help them build bigger audiences and convert and retain attendees, and this is really just the beginning. I'm very pleased with the product and the progress. I think the velocity continues to pick up, and we're listening to our customers and rapidly iterating along the way. That's great to hear. Thanks a lot, Julia. Thank you for your question, Ryan. Our next question is from Youssef Squali of Truist. Youssef, please proceed. Great. Thank you very much, and good afternoon, Julia and Lanny. Maybe just as a follow-up to the prior question, can you first just remind us as to how you monetize Boost today? Maybe you can just flesh out a little bit your product roadmap for 2022. It looks like 2022 is going to be all about kind of coming up with new ways, new and novel ways, to try to help yourself become that ticket and sales agent for creators that Lanny just talked about, and then I have follow-up. Sure. Thanks so much. Boost is a subscription product that we offer our creators. You have to be a current creator on Eventbrite to have access to Boost, and the focus is really on helping them sell more tickets. What's exciting about the, you know, full base of our customers is, as you know, we have a really healthy free business, 50 million free tickets in Q4 alone. We're starting to see, especially with this latest release around email marketing in Boost, we're starting to see higher adoption from creators who come to Eventbrite to host free events. That's exciting because that's obviously a monetization channel that we haven't had before and really gives us the ability to connect the value dots for our creators who are using Eventbrite for free events and help them reach a much bigger audience. In terms of what that means for Eventbrite, we see a pretty healthy rate of sell-through for Boost events. We're seeing creators who are using Boost. They're selling in the high teens more tickets on average to these events that they're using Boost for. Today, the product is really split into two different main value drivers for our creators. Today, it's social paid advertising. Essentially, a creator can come to Eventbrite, identify the audience that they want to reach, and create dynamic ads that will return on average much greater ROAS to them than if they were out trying to do this in one-off fashions on different platforms themselves. The second, and so our product roadmap for that is we want to expand the surface area. We want to expand the channels that you can reach beyond Facebook and Instagram to other places where people are discovering live events because it really matches with our demand generation principle of putting the right event in front of the right person at the right time, and we're actually converting that now into this marketing capability for our creators. The second is we want to give them other ways to engage more deeply with their attendees. Beyond a more efficient and effective advertising program, our creators really wanted us to help them send more effective email marketing, be able to reach a bigger audience through their email campaigns and see a high conversion from that email marketing. That's what we're focused on right now. We released the ability for Boost subscribers to be able to send up to 6,000 emails a day, which is a really big number for our customers and opens up an opportunity for them to be running higher volume campaigns with their list of customers. You can imagine that as we go farther down that road, we'll make it easier and much more intuitive to be running different types of campaigns at the same time. We'll be able to help them combine the efficiency of that social advertising, excuse me, with the email marketing, and we'll also give them a tool set to be able to re-engage attendees as they're building more and more community around their events. I think that, you know, when we look further out, we're really curious about how we can turn what we've learned through Boost into more power for our own demand generation. Today, Eventbrite propels over 25% of all the tickets that are transacted on the platform, which if you look at just the paid volume, it equates to over $580 million in gross ticket sales last year alone. We think that the signals that we're getting from our ability to match the right buyer to the right seller gives us an opportunity to look at things in the area of demand generation, like promoted content. That's super helpful. Just to be clear on that last point, today you are not charging for all that traffic that, and those customers that are acquired through the Eventbrite site, correct? That's correct. Right. Is there a chance that changes by year-end? You know, I think it's too early to give you a finite answer on that, but what we are looking at is how we can deliver that same amount of value, drive up the number of Eventbrite-driven tickets on the platform, as well as monetize the value that we're delivering to our creators through these programs. Got it. Okay. No, that's helpful. Lastly, just very quickly for Lanny. Congrats on sustaining EBITDA profitability through the quarter and for the year now. The question is, do you sustain it going forward? Well, as you've seen, there's a lot of operating leverage in the model. You know, there's sort of an inherent dynamic with the gross margins, which have been moving up pretty nicely. That reflects, you know, both our growing scale and changes we've made to the cost of revenue and the way we're managing all the different costs within that line. There's a tremendous amount of leverage, you know, still to be had, points of margin expansion on the gross margin side, as we've talked about. We think that number can get into the high 60s, close to 70%, just in the ticketing business. From an expense perspective, you know, we've been, I think, very prudent about managing expenses during the last couple years. We've tried to plow as much resources and investment as we can into the thing that really is the locomotive of our business, which is our product and our development teams, and we'll continue to invest there. You can see in the fourth quarter, there was a pretty hearty year-over-year increase in the product and development expenditures. We're coming off a couple quarters of really sky-high incremental profitability. Use that as an opportunity to invest aggressively, to expand the team and set ourselves up for the roadmap that we want to deliver in the coming year. We're not gonna stray away from the self-serve model. We're not gonna move away from our commitment to being, you know, in the long term, an adjusted EBITDA profitable driver of value for shareholders. We're gonna invest aggressively in the product to drive growth. I think you'll see more of what you've seen so far. Excellent. Thank you, Lanny. Thank you, Julia. Thank you, Youssef. Thank you. Our next question is from Cameron Mansson-Perrone of Morgan Stanley. Cameron, please proceed. Hi. Thanks for taking the question. On the conversion tracking feature of Boost that you guys talked about, could you talk about what kind of adoption you've seen or uptake you've seen in that from the creators who have been using the social media advertising? You know, how many of those advertisers are starting to engage with those measurement tools? And then staying on the product side, but moving beyond Boost, you know, you provided some interesting color on, in terms of the product pipeline in 2022 and wanting to kind of focus on enhancements and things like navigation, automation, reporting. You know, as we look at those kind of non-Boost related product focuses for next year, for this year rather, you know, can you talk a little bit about priorities amongst those? Thanks. Yeah, Cameron, and welcome. It's great to meet you. Thank you. On the conversion on Boost and the conversion tracking, what we've seen so far is over 20,000 events being marketed through Boost. We're not quite yet at the point where we wanna share our subscriber number, but I'm really pleased with the adoption rate. When we do things like release new features that our creators are asking us to offer them in order to boost their marketing, no pun intended, like email marketing, we see a really nice uptick in new user adoption. We're continuing to focus on, you know, not only making it easier and more intuitive to use these tools within the Eventbrite Boost broader product, but also obviously on supercharging subscriber growth. What's exciting is that it's built specifically for frequent creators. It's, you know, it's something where we're not only offering them greater efficiency, but we're helping them build audience for a series of events that are sort of, as you think about it, always on rather than just episodic. That's a really nice part of Boost, as well as the fact that it reaches the free creator user base and, you know, helps us monetize a previously un-monetizable large portion of our customer base. On the non-Boost side, think about, you know, Boost as being the new investment area where we're doing rapid iteration testing and investing, you know, a lot in the future vision of what it can be. The core ticketing engine is something that is in like optimization mode. You know, it is the engine of growth for Eventbrite, and it can be expressed in the gears that Lanny talked about in our new disclosure. What we're looking at there is focusing on two areas that are really key for our creators in our core ticketing business. The first is efficiency. How can we help them save more time, especially frequent creators who are constantly on the platform, and give them back time to focus on creating awesome content for their live experience? That really is foundational for us. It's about making that shift to a multi-event management platform that's intuitive, that's fast, and that's reliable. The second area of opportunity for us is how do we help them think differently about just marketing and promoting their events beyond, even just beyond Boost? As we think about the reach that they have by publishing their event on Eventbrite, that's really where you start to see the demand generation engine, you know, start to take hold, and making sure that our creators know which tools they should be using when and how to use those tools is paramount to our success. We measure our success through the metrics that we've shown you in the revenue model. It's, you know, the area of growth for us in core ticketing really comes from continuing to optimize each and every touch point that our creators have with the platform so that they can get going as quickly as possible and be as successful as possible. The final thing I'll say is in terms of investment there, we are investing continually on the core infrastructure to make Eventbrite more performant and more reliable and to be able to scale with these surging demands for live events. We are also focusing more and more on new feature development and product enhancements that go straight into the pocket of our creator, and that product philosophy has really picked up since last summer. We shared, you know, over 40 meaningful product enhancements and features have rolled out to our creators, and we're just getting better and better at that. Great. Super helpful color. Thanks. Thank you, Cameron. Our next question is from Dae Lee of JP Morgan. Dae, your line is connected. Please proceed. Great. Good afternoon. Thanks for taking the question. First one for you, Lanny. I think you talked about demand improving significantly towards end of January. Curious what you're seeing on the event creator side and the number of events that they're creating right now, seeing that an average paid event per creator does decline in 4Qs. Just wondering how that's trending so far in 1Q. To the extent you have visibility into how the event landscape looks going into the peak season of 2022, appreciate hearing that as well. In terms of the take rate, your take rate did improve to close to 8% in 2021 versus approximately 7% in 2019. Just wondering if that's more of a factor of more of your creators signing up for higher value packages or if there's anything else driving that and how we should think about that going forward. Sure. Thanks, Dae. In the shorter term, the model seems to be more driven on the demand side, i.e., if there is strong demand from consumers and they're buying events quickly, the creators sense that, we advertise, we promote or let them know about that, and the strong consumer appetite for events leads to an increase in frequency. And they'll, you know, many creators have kind of a per event capacity, and if they start selling that capacity quickly, they'll add new events to their calendar. We see that all the time. In a period where perhaps the consumers start to pull in their horns, the creators will sense that. They'll see that. They'll slow down their publishing calendar. You know, as we saw in the fourth quarter, while we were growing the number of creators, we saw a modest decline in the number of events. I think that really reflected a weather change in the consumer demand in the short term. Now we've got consumer demand is starting to go the other way, and one of the things we look at is, you know, how far into the future are creators purchasing tickets, and in environments where the future looks less certain, as you can imagine, the time to event tends to shorten. In environments where people start to feel more confident that, hey, in a month or two months, things are gonna be good, we start to see a little bit more of an uptick in longer dated purchases, which has been happening since the start of the year. I think what we're seeing is a pretty encouraging sign from the consumer demand side right now. We're talking very, very short periods of time. It's hard to extrapolate that, you know, out to the rest of the year. I would say from everything we've seen over the last 18 months, that behavior does correlate with what's going on in the general external health condition, and it seems like there are reasons to be encouraged about that going forward. We're seeing some of that right now. On the take rate, yes, we have made some progress, and you know, these are a couple things as you look to a year ago, two years ago, three years ago, we talked about the focus on our highest value frequent creators. They're the customers with the greatest LTV. They're the customers who are using the product every day. They're the creators for whom all the product work that we're doing really is most specifically tailored to solve their needs. You know, as a result, as you can imagine, the customers for whom the product is the best fit value it most highly. As we focused on those customers, they've been, you know, able to share with us a growing portion of the value of their events for the work that we're doing on their behalf. I really think the change we've seen in the take rate over that period of time has been that customer focus. There's a little bit of an effect from average ticket price. There's components of our pricing structure that are a fixed flat fee plus a variable fee, and if the ticket price varies, you know, if the ticket price goes up, you might get a little bit lower take rate. You can do the math. The fixed piece becomes a little bit smaller, and if it goes the other way, the fixed piece is a little bit bigger if the variable against the ticket price is coming down. That's a pretty small effect, and I think really the primary driver has been the focus on the customers that are our core frequent creating customers. Got it. Thank you. Thank you. Thank you, Dae. There are no additional questions waiting at this time, so I'd like to thank everybody for your participation. This concludes the Eventbrite fourth quarter 2021 earnings conference call. Have a great rest of your night, and you may now disconnect your lines.