Greetings, and welcome to the Super League second quarter 2023 conference call. Please note this conference is being recorded. Before we begin, I'd like to caution listeners that comments made by management during this call may include forward-looking statements within the meaning of applicable securities laws. These statements involve material risks and uncertainties, and actual results could differ from those projected in any forward-looking statements due to numerous factors. For a description of these risks and uncertainties, please see Super League's financial statements and MD&A for the second quarter of 2023 ended June 30, 2023, available on the SEDAR and EDGAR. Important qualifications regarding forward-looking statements are also contained in Super League's earnings release, distributed earlier this afternoon, and also available on SEDAR and EDGAR. Furthermore, the content of this conference call contains time-sensitive information, accurate only as of today, August 14, 2023. Super League undertakes no obligation to revise or otherwise update any statements to reflect events or circumstances after the date of this call. Thank you. I'd now like to turn the conference call over to Ann Hand, Chief Executive Officer. Hello, and welcome to our quarterly call. There's a little bit of lag in that video, but hopefully, you can still get a sense of the remarkable results that we deliver for some of the biggest brand partners in the world. Let's go ahead and kick off. I'll start by saying that setting records is starting to become a thing here at Super League. From our continuing growth of monthly unique player reach, topping $127 million last month, to yet another record-setting quarterly revenue. These best-ever Q2 revenues saw a nice sequential uptick from Q1, growing 51% sequentially to just over $5 million. We're just halfway through the third quarter and expecting yet another quarterly record delivery north of $6 million in revenues based on the strength of early bookings. Again, we're only halfway through the quarter. That is worth a pause. Our strategy is working, and operating leverage is kicking in. We're proving we can take a greater share of advertisers' wallets, proven through larger deal sizes and continued high repeat percentages. Our sales force effectiveness is increasing, as indicated by higher total revenue wins per seller. We have signature clients like Hamilton now and Yas Island, where we're delivering immersive experiences that are not just short-term campaigns, but persistent virtual worlds to change the size and distribution of our revenues to be more recurring and forecastable in nature. That's a big change because that doesn't have us looking like an ad model anymore, and we think that's something that investors are really going to embrace, that smoothing out of revenues and that greater predictability. We've built a leading, scalable, vertically integrated publishing machine across some of today's largest digital social platforms and a metaverse innovation engine for the future of the immersive web. Let's pull up a level and look at the macro environment. Traditional digital advertising continues to face headwinds. Internet advertising, saturation, ad blocking technologies, and more continue to put downward pressure on underperforming ad CPMs. Here is what else we know: There's been a massive audience shift, with over 0.5 billion monthly Gen Z and Alphas moving to the next generation of social digital platforms. These are platforms like Roblox, Minecraft, and Fortnite. They're already there, and the ad dollars are still catching up. In-game advertising is expected to be a $56 billion industry by 2024, and young consumer behaviors are shifting as well. 47% of Gen Z expect to discover brands first in immersive environments. That immersive content, 2D or 3D, increases engagement by 252%. Hence, we offer brands a new high-performing marketing channel, a solution to their underperforming traditional digital ad channels. The future, really, of digital advertising. Even if you look at the recent earnings results for Meta and Roblox, they validate what we see and what we do here at Super League. Roblox's revenues are growing 15% year-over-year. They continue to show strong new user growth, along with an increasing segment of 17-24-year-old players, proving that Roblox, as well, isn't a platform necessarily that you age out of. You'll note that they don't call themselves a gaming platform; they're a social platform. Meta is now recognizing that there is a necessary transition space between the 2D web, using the screens we all have in our lives today, our laptop screens, our phone screens, our TV screens, and their point of view on a fully immersive 3D metaverse that requires a VR headset. This now makes them a real key partner for us to explore a strategic partnership, because now that they're embracing a 2D transition, they have an opportunity to deliver a lot more users to their metaverse world, because it would be much more accessible. Finally, this is all fueled by spatial computing. The technology has origins in these social gaming platforms that exist and can now transform the dot-com experience. As you'll hear me say again and again, we have a leading publishing engine for the immersive web, one that will offer interactive, customizable, personalized web experiences beyond the platforms we operate in today. Now let's move on to some Q2 and subsequent operating highlights. As I mentioned last quarter, M&A consolidations are ongoing themes in the emerging industry, and our leading position makes us a magnet. To that end, we opportunistically acquired Melon in a very shareholder-friendly and diligently structured deal. Melon, now branded as Super League Studios, is a groundbreaking development studio. It's renowned for creating award-winning, high-profile experiences across an impressive array of global brands, including the likes of the NFL, Chipotle, American Girl, owned by Mattel, Clarks, and Dave & Buster's. The Chipotle activation with Melon is one that, when I talk about it with investors, I get a lot of excitement and reaction from it, because I think they can feel as well how groundbreaking it is for us and our opportunities that lie ahead. That activation provided us with a particular point of differentiation beyond just delivering material off- the- charts digital engagement. Not only did our immersive experiences deliver 24 million visits and generate billions of PR impressions, but we also set records for Chipotle's highest digital app download day and second- highest digital sales day ever in the company's history, along with giving away 130,000 burritos in just 30 minutes. Similarly, our June activation with Clarks Shoe Brand created two or three between the digital and physical worlds, driving real-life customers into an immersive Clarks digital world to try on new shoe styles and then back to the store for purchase. We believe being a leader in measurable digital to physical conversion is a game- changer for brands and again, a real distinction point for Super League. It is of note that this accretive acquisition raises our in-house publishing capability, which we expect to improve our publishing margin profile, all further augmenting our vertically integrated one-stop shop. In this nascent ecosystem of immersive experiences and media products, one that didn't even exist four to five years ago, we're in the company a few. We know the landscape and the types of partnerships that complement and accelerate our strategy. To that end, one such partner is LandVault, who consider themselves the largest digital construction company in the metaverse. In April, we formed a strategic partnership, creating a unique, powerful metaverse alliance, ready to provide brands with scalable solutions and bridge the gap between Web2 and Web3. Together, we've already launched programs in the UAE specific to virtual tourism and see abundant opportunities in this vertical alone across the UAE and greater GCC. We have a powerful narrative combining the two companies' notable successes, and we share a common vision regarding the evolution of immersive technology and how it will rapidly fuel a more immersive web. Then there's the biggies, the billion-dollar titans in our space that can change our fate. That's exactly how we feel about our recently announced strategic partnership with Roblox. Yes, Roblox appreciates the role we play in complementing their business objectives and appointed us in a very coveted position as a key partner. With what we would argue, at least from Super League's point of view, is the most significant social digital platform in the world. While we continue to reach those 100 million monthly active players in Roblox alone through our distributed network of game worlds, this partnership gives us access to their established audience, reaching in the hundreds of millions, to sell our immersive dynamic content along with their innovative ad, ad, ad inventory. The added inventory on Super League's powerful engine solutions, and we believe, will result in not just larger deal sizes, but also a larger overall sales pipeline as Roblox refers partners our way. It's having really, truly an extra salesperson fueling our pipeline, but a salesperson on steroids, so to speak. Then there's the business that we're in right now. Every week, we're creating powerful, high-impact, immersive experiences for brands through our technology capability. One of the coolest experiences we launched recently was in partnership with Interscope Records, the world leader in music entertainment. For the watch party on Roblox, this exclusive digital event marked the first- ever music documentary watch party on Roblox and created an innovative way to bring an immersive concert watch party to life and activate their massive fan base. While creating a virtual replica of Barbie is still very near and dear to my heart, that was something we delivered late last year, delivering 6 million visits in just 30 days, especially in the time of Barbie mania, so to speak. That was a zeitgeist moment for sure. Now we have Hamilton. It is a privilege to bring the biggest Broadway hit ever in history into the metaverse with last week's launch of the Hamilton Simulator. A revolutionary way to experience and bring to life the show's groundbreaking music. Through innovative design and iconic artistic set pieces, new and existing fans alike can now immerse themselves in an adventure inspired by this history, with each activity and interactive discovery of the magic of Hamilton. As we know, Hamilton is a once-in-a-generation cultural touchstone, and the experience further demonstrates that anything that exists in the physical world can have a virtual twin to reach new, younger audiences and prove that learning about American history can be gamified in a way that makes education more fun and memorable. The results so far speak for themselves. Our Hamilton world has already experienced over 100,000 visits just in the first day alone. An average play session is about 27 minutes, with a 97% like rating. Those are stats that go way beyond a typical Roblox game, and the press has fueled that interest, with over four pieces of coverage reaching a potential audience of about $6.5 billion readers. Now we will provide with a little bit of a sample of some of the Hamilton experience. Could you play the video, please? Fantastic. Hopefully, some of you on the call have children or grandchildren in your lives, and you can imagine how exciting of an experience that can be for them, again, to learn about history and do it in such a fun, empowering way. Now let's move on to pipeline trends. I often say my favorite meeting of the week is our week pipeline review, in part because the confidence, the positivity, the synergy, and the momentum of our best-in-class sales leadership is palpable. We continue to maintain a high repeat percentage of 70% for our immersive experiences and products. This indicates that we're not only delivering on advertisers' ROI, but also this new marketing channel is increasingly becoming a standard go-to for their marketing campaigns. We continue to attract new verticals, entertainment, toys, and gaming, with notable growth in the categories of fashion, beauty, automotive, financial services, and tourism. Brands like American Girl, Lego, Sony, H&M, Procter & Gamble, and many more, all put ad dollars to work with us in Q2. We've already booked 4 deals this year that are over $1 million in value, the likes of Kraft and Toyota, to name a couple. Versus one singular deal last year in those seven figures. There are more seven-figure deals that we are chasing in the pipeline that continue on. Our average deal size in the pipe remains in that $300,000 range, with 60% of the deals we're pursuing six figures or more in nature. As I mentioned at the start, our sales force effectiveness is on the rise. In 2002, the bar for our highest performing sales executive was about $3 million in annual sales. This year, as our sales team becomes more sophisticated and experienced, we're seeing our sellers now setting a benchmark of $4 million-$5 million in annual sales capacity. At that rate, our eight domestic sales team, separate from our international resales, separate from our business development partnerships, has a capacity of up to $40 million annual revenue, and that's just if we stood still. We're not. Further evidence is that our sales leverage is kicking in. Our win rates are trending upwards to north of 50%. We are increasingly becoming the preferred partner for the brands we serve. As I said, not standing still, we're expanding both our suite of new, innovative, and high- margin immersive products and our sales talent performance to accelerate top- line growth. As for our cost structure, following vigorous cost-cutting initiatives beginning mid-2022, we have a leaner operating structure. In the second quarter of 2023, excluding significant non-cash charges, we reduced our pro forma operating expense by roughly 30% compared to the prior year quarter- This was achieved through a 71% reduction in our cloud services and platform technology costs, as well as reductions in personnel, marketing, and other corporate costs. This pro forma structure underscores our commitment to top-line revenues, pulling forward even in profitability and increasing our operating leverage. The successful completion of a $24.4 million capital raise, including $10.3 million in the second quarter, has helped us deliver all debt and shore up our balance sheet during the period. We have enough going for us that we're confident we can address our short-term and long-term working capital needs as we have done so historically. Our new growth has been well received by investors that historically stood by us. Looking ahead, as we enter the seasonally strong second half of the year for us, we couldn't be more excited to deliver yet another record-breaking second half for 2023. We have never been in a stronger position to achieve our vision through our more streamlined, focused operating structure. That completes our review of the second quarter and corporate update. So now, operator, let's go ahead with Q&A. Certainly. We will now be conducting a question- and- answer session. If you'd like to be placed in the question queue, please press star one on your telephone keypad. A confirmation tone will indicate your line is in the question queue. You may press star two if you'd like to remove your question from the queue. For participants using speaker equipment, it may be necessary to pick up your handset before pressing star one. One moment, please, while we pull for questions. Our first question is coming from Scott Buck from H.C. Wainwright and Co. Your line is now live. Hi, Ann. Thanks for taking my questions. First one for me, it's great that you guys are seeing larger average deal sizes. I'm curious if this is a trend that's specific to what Super League can offer, or does it reflect, you know, kind of easing of some of the macroeconomic headwinds that we've seen over the course of the past, you know, six to nine months? I think it is 100% more about what Super League can offer. There's no doubt that advertisers have started to loosen up the spend again in Q2, and you saw things improve across, you know, other kinds of digital platforms as well. This is about the fact that we can be a one-stop shop to deliver digital experiences, plus immersive media products, and by extension, other products. I have a, a sales leader in the company who talks about us as kind of like, we own Disneyland. It's not just about the fact that we make great rides, but we kind of get to control the pathways and even the gift shop layout. I say that as an analogy to say that when we're putting together these sizable packages to deliver end-to-end campaign solutions, there is a large mix of products now on our menu that really augment and drive the excitement to the immersive experience. By extension, we're able to double or triple the size of campaigns and programs that we can pitch to advertisers because we can hit all of their ROI objectives, not just the experiential ones. I think% due to the fact that we got end-to-end solution. Great. That, that's helpful. And then, I wanted to ask about Direct-to-Consumer. I saw that it was down year-over-year. I was just kind of curious what, what was going on there in the quarter and what's the, the longer term outlook? It's not really anything, specifically, that's kind of down. We just kind of had, you know, some kind of strong sales in, in that regard, mainly with our Mineville and Pixel Paradise servers that we run for Microsoft, around the Minecraft product. We've been pivoting the Pixel Paradise server to actually go after a different type of audience now. We're going to try to see if we can get that performance up to kind of the levels of Mineville. It's a little bit about when you launch a new server, you get a spike of excitement, and then you have to continue to keep optimizing those servers and approach those businesses in different ways. It is important, though, to note that we do believe the more that we're running fully immersive game worlds in a persistent way for the Hamiltons and the Yas Island of the world, we do believe the bigger opportunity for us on Direct-to-Consumer, which is a very attractive high-margin revenue stream, is when we deliver those programs that will start to negotiate those deals in a way where we have a potential to participate in the consumer monetization of those worlds. Today, we're being paid to design, develop, operate, and optimize them. So that is one type of real publishing revenue. What we would like to see as we become more sophisticated and have more deals like that under our belt, is that we can have more leverage with clients to ask for a portion of, of the royalty rev share on the consumer side. That is where I think you'll start to see Direct-to-Consumer maybe become a more meaningful wedge of our revenue portfolio. Super, that, that's helpful. Last one for me. I'm just kind of curious what kind of insight you guys may have into the fourth quarter and then whether or not you're seeing, you know, that kind of typical seasonality hold in, in some of the conversations you've been having with advertisers? I mean, completely, you know, as I said, you know, we're sitting here only halfway through Q3, we're talking already about having a line of sight to north of $6 million. That's, that's pretty great. Definitely, again, beats last year's Q3, which was a, a record-setting quarter. As you know, we did about $7.5 million last year in Q4, which, again, was our largest quarter ever, not just Q4, our largest quarter ever in the history of the company, because that's what you'd expect with that seasonality. You know, when I talked earlier about the fact that our, we're seeing all kinds of off-the-charts delivery from some of our top sales executives, we've got a sales executive who's already booked for Q3, more than they delivered all-- or for Q4, more than they delivered in all of last year. All of those trend lines are showing that Q4 is going to be, you know, again, another record breaker for us. We like all of that momentum. What we also really do like is that, again, when you're running Hamilton or Yas Island, or increasingly, some of these other game worlds 12 months out of the year or in a persistent way, that's going to smooth that revenue out. I think, you know, investors will be happy with that, because I think that does give us a chance to start to have a little bit more predictability and not be quite so subject to that seasonality. Look, we don't mind it in Q4. We're going to take as many of those ad dollars they want to put to work at the holidays as we can get. Wouldn't it be nice if a big chunk of our revenues as well were kind of spread throughout the year and felt more recurring in nature as well? The reason is that you also know what's happening and why. W hy do we think advertisers will get there and start having more persistent channels in these worlds? It's no different than when they were first trying to understand, you know, what is Facebook? You know, 15 years ago, and why do I have to advertise there? Then they saw the massive audiences, and they realized they can't have a strategy on Facebook or Instagram that just pops up here and there, you know, for a couple of weeks and then goes dark and then pops up again. It's now a persistent ad channel. It's a persistent chunk of their, their annual spend, and they sprinkle it accordingly throughout that year. What's happening is that once these advertisers are getting a taste of what we can do for them, like the Barbie example, you know, they don't turn off Barbie's Instagram account 11 months out of the year. We only ran the Dreamhouse for one month. Really, what we try to convince Mattel and other clients is, now that you've seen that off-the-charts engagement, how can you start thinking about the ways that you could have used that Dreamhouse channel all year long to achieve all kinds of campaign objectives? That's helpful. I appreciate the time, guys. Thank you very much. Congrats on the quarter. Thank you. Thank you. The next question is coming from Howard Halpern from Taglich Brothers. Your line is now live. Good afternoon. In what you just talked about, with the Barbie, is that something with data analytics, packages that could eventually be an offering for you guys? That's a really good question. Yeah, we think that, you know, one of the things that makes us unique with the tech and the capability backbone that we've built is the fact that we really understand these players and the way they want to engage around brands and the way that they convert. Attribution is the key. It's like the Chipotle example into real life drivers of, of P&Ls for these brands. Between the data and the opportunity as well to start to really be paid on conversion, we think are two places that for others who try to do the best they can to kind of mimic what we do, and usually that's just going to be a traditional service ad agency who's kind of going out and hiring a Roblox game developer, maybe buying some of our media products or Robloxes. You know, we are distinctive again because we're a one-stop shop, as acknowledged by that Roblox strategic partnership. Equally, we do see that the data, the insights, is an area that is and proving attribution, that conversion piece, are points of distinction. Okay. When you talk about deal size and the length of the deals, increasing, how do you look at it over the next couple of years, that could end up driving gross margin? Yeah. I would say on the margin side, I mean, we continue... You know, as I said, you know, think of us as having this beautiful, rich, dense menu of different types of products and activations. When an advertiser comes to us and says, "These are the goals that I'm seeking, this is the type of, of KPIs I want to achieve," we can pull from that menu and deliver and, and beat a lot of those engagement numbers. We have a, a, an, a plethora of high- margin offerings inside of there. We can cobble together the right programs that meet those goals, but also tap into, you know, frankly, the products that we have that deserve those types of strong margins because they are the highest value- generating. We'll continue to expand and look at, at, at margin. I would say the margin opportunities also improve with these longer programs because of what I mentioned earlier, that it'll allow us to, instead of just being hired on a temporal basis, it'll allow us to not only get more revenue for a persistent basis, but also start to grab some new revenue streams, hopefully getting a cut of some of the Direct-to-Consumer monetization as well. Direct-to-Consumer monetization inside these virtual world platforms tends to be about a 70%-80% margin product. That in itself could be a meaningful, chunky way to walk up our overall average margins as a company. Okay, well, thanks, and keep up the good work. Thank you. Thank you. Next question today is coming from Jack Cordero from Maxim Group. Your line is now live. Hi, this is Jack Cordero calling in for Jack Vander Aarde. Congrats on the solid quarter, and thanks for taking my question. You guys gave some great commentary in the shareholder letter about, you know, capacity of this new direct selling team. You know, I was wondering if you could give any additional color on specific sales headcount. Have you expanded there? I think I heard you say eight, so that would be maybe one more sequentially. You know, on that $32 million-$40 million number, that sounds like sort of like a goal run rate based on, you know, the capability of top performers. I was wondering, how, how do you think about that in terms of, like, how to unlock that? You know, if you could explain that a bit more, how we should think about that number, that would be helpful. Yeah, absolutely. Yeah. I mean, look, you know, first of all, we've got fantastic sellers, but equally, they're selling products that didn't exist three or four years ago. There's certainly a learning curve when you're pulling people who are coming maybe from more traditional media sales, to now kind of understand how to sell these immersive, both experiences and media products. That said, you know, we're seeing a faster learning curve or ramp-up. As we bring in a new salesperson, they're getting up that curve faster, and a lot of that is having those more seasoned senior salespeople above them that can kind of play that mentoring role. The other thing that we're noticing is, as I mentioned, our couple top sellers last year that delivered $2.5 million-$3 million, are now going to hit $4 million or $5 million, even maybe more million this year. We now know what a new bar for capacity looks like. You know, if you had asked us last year, we would have said, "Oh, maybe three is about the max." Well, now we're seeing, again, bigger deal sizes, excuse me, and the opportunity to walk that up more. The other thing that I would say is we did. We do churn our sales talent. You know, look, this type of a sales effort, it's not traditional media sales. It's much more about brand and partnership development, and especially when you look at the nature of the recurring deals, but also the size of the deals. I mean, brands are trusting us with, in this case, in some, you know, millions of dollars. It really takes a very seasoned, experienced relationship builder. So what you're seeing in those eight strong that we have now is some churn, where we've hired folks. In fact, we, we poached two sellers from an agency called, which tended to be, you know, the agency we're going up against often when we're winning some of these bigger programs. They're purely just a service ad agency, but they've been out, so they don't have our tech and capability in-house. They can't publish game worlds. They don't have our dynamic content ad products, but they were going out and kind of being a middleman. So they had a bunch of salespeople who were out still selling that nature of those programs, even if they didn't have the in-house capability and tech to deliver it. That was a real kind of big boost for us in bringing in people who already had some experience in the space. Now, the question then becomes: well, then why not add more salespeople? That's why our cost-cutting efforts have been so important. You know, we never wanted to take a hit on the top line, but we really tightened and focused our product strategy, made sure that we're putting the product and engineering heft of the company into the areas that have the highest growth opportunity for us. What that also has done, leaning out other parts of the org, including some of the corporate cost structure, is allowing us to redirect a higher% back into the sales team, the people who are customer and revenue facing. You'll continue to see us very opportunistically grow that team faster because the next big step up on top line growth, and we've now turned that corner, and we're a profitable company. Awesome follow there. That's, yeah, that's amazing. I had one more question. This is a bit more general on the kind of longer-term target, you know, in a few years or so, this, like, $100 million target. Do you have any, like, directional thoughts on, you know, how your segments are, are evolving? You know, how will that $100 million break out between your different segments kind of in the future? Yeah, I mean, you know, as you can see, we had a 250%+ jump in our publishing content studio revenue this quarter. That just shows that these experiences that we're doing for brands are chunkier and bigger in nature. Again, instead of us just selling a lot of media products, we're now really kind of taking a leadership position as a place to go to, to create the highest engagement, immersive experiences like Hamilton and The Dreamhouse. That's exciting because, again, that's a distinct in-house capability that we have that really separates us. Again, what I would say is that while this year, you're going to still see that when you add up the publishing content line, plus our advertising products line, that's still going to look like the bulk of the revenue of the company. I do think that starting next year, we could see Direct-to-Consumer start to emerge. It won't be larger than publishing and advertising together, but it will certainly be, you know, increasingly, a more growing stream for us. That excites us to get a little bit more balance in those products. I think the most important balance in revenues or change in revenues that I think I want the investors to understand is, first, understand that the publishing line plus the advertising products line, those things are-- really separate them because they have a different margin profile, but they're essential. They work together. Our strong point of view is that the way we deliver the best programs for brands is when we do both. That's what makes us an end-to-end solution. Often I tell investors, "You should almost look at those-- they're different capabilities, they're different products, but they always, 9x out of 10, we're pitching using both of the legs of revenue to deliver all of these big brand programs." I first want people to realize the importance and the, the dependency, the powerful dependency those things have. Then the question becomes data, Direct-to-Consumer, what are the new revenue streams we can begin to carve out? At least for the Publishing and Advertising, what I think investors should be looking for most next year, as far as the change in revenue, is to start to see, instead of those two powerful legs of revenue working together for short-term objectives for delivering brands' campaign goals, that we should see more and more Yas Island and Hisense. That is a very powerful change in the business model, then coupled with us digging into new revenue streams like data and Direct-to-Consumer, which again, can have really attractive margins to help that overall margin profile. I actually had one more question, if possible. You know, given your comments on kind of these new, call it emerging verticals, you know, into fashion, you know, are you seeing any, any specific industries that have, like, you know, particularly sticky customers? You know, is there certain industries that, you know, given their their $1 of ad spend towards Super League, are a little bit more efficient and therefore those customers are coming back more than others? Do you have any comment sthere? Well, I definitely think that fashion and beauty it makes perfect sense. You know, you can first test with your digital self or avatar, new looks, styles, new makeup trends, new hairstyles, new fashion looks. You can even purchase those things for your digital self, and then that encourages you to now want to translate that into your physical life. I think it makes sense that because so much is built inside these immersive worlds around our own avatar and how you customize yourself, how you want your digital self to occur, you're, decorating yourself effectively with hair and makeup and clothing anyway, just kind of really distinguish your digital avatar from others. Those areas make perfect sense. I think the one that we're really excited about, I mentioned a little bit earlier, is virtual tourism. You know, when you think about, you know, the typical dot-com experience for tourism is a bunch of stock photos, right? You know, if you want to think about visiting the real Yas Island in Abu Dhabi, wouldn't it be cool to do a fly-through of SeaWorld or ride around the F1 track? That's exactly what the immersive worlds that we built for Yas Island enable, is both for kids and parents to be able to experience the virtual experience and then hopefully convert them into real-life visitors of this amazing recreation island. I think that one just makes so much sense. Ever since some of that press came out, we started getting contacted by you know, markets in the United States that have some of the largest public golf course communities or hotel communities. In some cases, it's specifically maybe the, the, the golf course company themselves. In other cases, it's the city that's trying to say: What can we do to attract more visitors to our city as a whole? Maybe one of their biggest attractions is some signature courses or other types of activities. We have noticed that tourism seems to just be a, a no-brainer, because wouldn't it be a lot better to first experience, do a fly- through, versus just looking again at some of those stock photo images? The nice thing, too, on virtual tourism is that you can see that it starts where we're, we're building these virtual worlds inside a platform like Roblox or Sandbox, a place that already has the engine to create that virtual tour, fly- through, and experience. Again, as I mentioned earlier in the call, spatial computing technology being used in gaming can be used for a website today. You don't need a VR headset to be able to go to, you know, I don't know, call it myrtlebeach.com, and to be able to see that you can have that same kind of immersive way to explore it. When we talk a lot about the immersive web and it being here right now, we're saying the tech is there, it exists, and this is the opportunity we now have to take a brand from saying: Come over here and build immersive worlds where all of these Gen Z and Alphas are living. Then, in those conversations, let's talk to you about what your web strategy is as a company. What could Barbie.com look and feel like using, again, this tech that already exists? Thanks for the color, and congrats again on the quarter. Thank you. We've reached the end of our question- and- answer session. I'd like to turn the floor back over to Ann for any further closing comments. Well, thank you. I'll be a bit repetitive here, you know, I've consistently talked about Super League being in the strongest position in our history to execute our vision. Our rocket ship to the immersive web has never had a more focused operation, a clean balance sheet with no debt. We serviced over 100 brands last year. In my view, liftoff is complete, and it's now about acceleration and scale as we march towards $100 million in revenue over the next few years. We'll continue to act on all opportunities to further streamline our cost structure and expand into higher margin products to turn that important corner to profitability in short order. While our roots and success are in the creation of immersive digital experiences and products inside some of the world's largest open world gaming platforms today, our future is in building the premier publishing engine for the immersive web. Thank you so much for your time, please reach out to our IR team if you have any other questions or comments. Thank you. That does conclude today's webinar and telecast. You may disconnect your line at this time, and have a wonderful day. We thank you for your participation today.